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Unpaid critics are the lifeblood of British theatre criticism

Yesterday, respected theatre producer Danielle Tarento was quoted in theatre industry publication The Stage saying that online reviewers are not “proper writers (…) they do not have the intellectual background or historical background or time to know what they are writing about. What they are writing about is did they like it or not, which is not … Continue reading

The bold luxury of pure reason: X&Y at the Science Museum (**)
OneStopArts.com / Review / Writing: Journalism

The bold luxury of pure reason: X&Y at the Science Museum (**)

The next in the Science Museum’s foray into theatre, X&Y‘s mathematical post-dramatic ramblings is a profound mis-step, rehashing some of the most trite of theatrical experiments to create a wholly forgettable and dull hour of lecture theatre. The principle of educational theatre is a strong one — what better way to engage with a student than … Continue reading

Ghoulish fun: Hag at the Soho Theatre (***)
OneStopArts.com / Review / Writing: Journalism

Ghoulish fun: Hag at the Soho Theatre (***)

The Wrong Crowd’s star continues to rise with their latest evocative puppet/theatre blend Hag, which follows much in the mould of their previous hit success The Girl with the Iron Claws. The forgettable story is a shame, but the frequent flashes of brilliance still make for an entertaining experience. At the Soho Theatre. The trendy tendency towards … Continue reading

Butter Side Down (part of Rapid Write Response: Land of Our Fathers): Overview
Butter Side Down [2013] / Directing/Producing / Short Plays/Rehearsed Readings/Showcases

Butter Side Down (part of Rapid Write Response: Land of Our Fathers): Overview

I directed a short play for Theatre503′s Rapid Write Response event for inhouse production Land of Our Fathers – Butter Side Down, by James Huntrods. Rapid Write Response is a new writing night at Theatre503, where pieces are written in response to the current inhouse production, then cast and directed in just 2 weeks. James’ script was … Continue reading

It’s as bad as you’ve heard: Much Ado About Nothing at the Old Vic (*)
OneStopArts.com / Review / Writing: Journalism

It’s as bad as you’ve heard: Much Ado About Nothing at the Old Vic (*)

An incredibly talented group of people have come together and created the most disappointing production the Old Vic has seen in a very long time. Oh, I wasn’t looking forward to this: neither to watching nor writing about Mark Rylance’s poor attempt at Shakespeare. It’s been widely critically lambasted, with much being made of James … Continue reading